
Day 1 — 3
Throw & trim
Every piece starts as a 900 g ball of grey stoneware, wedged by hand. Thrown wet, left to stiffen to leather-hard overnight, then trimmed on the wheel to find the foot.
Home/The Studio
214 Warren Street · since 2019
Two people, one wheel, forty pieces at a time. This page is the whole operation: how eleven days turn a bag of clay into a batch, what happens to the pieces that don't make it, and how to buy at wholesale.
The makers
Vessel is Nadia Ferreira and Owen Pike. We took over a former print shop on Warren Street in 2019, put a kiln where the presses were, and started throwing the plates we couldn't find anywhere else — heavy enough to feel like something, plain enough to disappear under food.
Nothing here is slip-cast or outsourced. Nadia has been at the wheel twelve years; Owen came from cabinetmaking, which is why the foot rings are the way they are. The kiln decides the rest, and it has opinions.
We only start the next batch when the last one is out the door. That is why things sell out and stay sold out — not scarcity marketing, just two pairs of hands.
The eleven days
Our glazes are mixed in-house from wood ash, local feldspar and iron oxide. Each stage has to fully dry before the next can begin — that constraint sets the whole calendar.

Day 1 — 3
Every piece starts as a 900 g ball of grey stoneware, wedged by hand. Thrown wet, left to stiffen to leather-hard overnight, then trimmed on the wheel to find the foot.

Day 4 — 7
Greenware dries slowly on the north shelf — rush it and it cracks. Then the first fire, to 980°C, which turns clay into something porous enough to drink the glaze.

Day 8 — 11
Dipped, wiped, stacked, and fired to 1,260°C over sixteen hours. The kiln cools for two days. Roughly one piece in nine doesn't make it out — those go to the seconds shelf.
The seconds shelf
Not wrong enough to break, just wrong enough that we won't sell it at full price. Every flaw is named and photographed. These are shop-only or by email — they don't go in the batch listing.
A 2 cm patch on the underside where the glaze pulled back off the foot ring. Invisible on the table, food-safe, will never be seen once there's a plate of something on it.
Two bowls from a set of four that dried too near the door and pulled about 2 mm oval. They nest, they hold soup, they just won't sit perfectly flush inside each other.
Touched its neighbour in the glaze fire and took a matte scar down one shoulder, about 4 cm. Structurally fine. Honestly one of our favourite pieces from batch 19.
Wholesale
We stock five retailers and three restaurants, and we're honest that a batch of forty doesn't stretch far. If the terms below work for you, send the form and Owen will reply within two working days.
Tell us about the shop or kitchen. This form is a demo — it doesn't submit anywhere yet.
Come to the studio
There's no showroom and no appointment system. Walk in, look at the kiln, buy a second off the shelf if there's one you like.
Thursday, Friday and Saturday. The wheel is usually running Thursday mornings if you want to watch something get thrown.
Thu–Sat · 11:00 – 17:00
Four people, three hours, one evening a month. You throw three pieces, we fire the best one and post it to you six weeks later.
Monthly · $145 per seat
214 Warren Street, Hudson NY 12534. Ten minutes' walk from the Amtrak station, blue door, no sign — look for the kiln vent.
studio@vessel-hudson.com