VesselHudson NY

Home/The Studio

214 Warren Street · since 2019

A former print shop with a kiln where the presses were.

Two people, one wheel, forty pieces at a time. This page is the whole operation: how eleven days turn a bag of clay into a batch, what happens to the pieces that don't make it, and how to buy at wholesale.

11days per batch
1 in 9to the seconds shelf
5wholesale accounts
Overhead view of a potter's wheel beside a tray of ribs, sponges and trimming tools on a studio bench.
The bench, Warren Street
A potter's clay-covered hands closing over a small form spinning on the wheel, photographed in black and white.
Nadia at the wheel — 06:40, Tuesday

The makers

Nadia throws.
Owen trims and glazes.

Vessel is Nadia Ferreira and Owen Pike. We took over a former print shop on Warren Street in 2019, put a kiln where the presses were, and started throwing the plates we couldn't find anywhere else — heavy enough to feel like something, plain enough to disappear under food.

Nothing here is slip-cast or outsourced. Nadia has been at the wheel twelve years; Owen came from cabinetmaking, which is why the foot rings are the way they are. The kiln decides the rest, and it has opinions.

We only start the next batch when the last one is out the door. That is why things sell out and stay sold out — not scarcity marketing, just two pairs of hands.

Nadia & Owen Vessel Studio · Hudson, New York

The eleven days

Wedged clay to packed box,
in the order it happens.

Our glazes are mixed in-house from wood ash, local feldspar and iron oxide. Each stage has to fully dry before the next can begin — that constraint sets the whole calendar.

A potter's hands pulling up the wall of a cylinder on a spinning wheel head.

Day 1 — 3

Throw & trim

Every piece starts as a 900 g ball of grey stoneware, wedged by hand. Thrown wet, left to stiffen to leather-hard overnight, then trimmed on the wheel to find the foot.

Freshly thrown greenware bowls and cups drying on wooden bats on a studio workbench beside trimming tools.

Day 4 — 7

Dry & bisque

Greenware dries slowly on the north shelf — rush it and it cracks. Then the first fire, to 980°C, which turns clay into something porous enough to drink the glaze.

Overhead view of a potter's wheel spinning beside a tray of ribs, sponges and trimming tools.

Day 8 — 11

Glaze & fire

Dipped, wiped, stacked, and fired to 1,260°C over sixteen hours. The kiln cools for two days. Roughly one piece in nine doesn't make it out — those go to the seconds shelf.

AshWood ash + feldspar
SlateIron oxide 4%
MistCobalt trace
InkManganese + iron
OatmealUnglazed foot

The seconds shelf

One in nine comes out wrong.

Not wrong enough to break, just wrong enough that we won't sell it at full price. Every flaw is named and photographed. These are shop-only or by email — they don't go in the batch listing.

A speckled stoneware dinner plate beside a small bowl and a grey linen napkin.
Glaze crawl · foot

Slate Dinner Plate

A 2 cm patch on the underside where the glaze pulled back off the foot ring. Invisible on the table, food-safe, will never be seen once there's a plate of something on it.

$27$543 available
Four speckled stoneware bowls stacked at an angle on a pale surface.
Rim out of round

Ash Nesting Bowl ×2

Two bowls from a set of four that dried too near the door and pulled about 2 mm oval. They nest, they hold soup, they just won't sit perfectly flush inside each other.

$32$641 pair left
A speckled bottle vase and a smooth pale-blue glazed vase resting on draped linen.
Kiln kiss

Bottle Vase, Mist

Touched its neighbour in the glaze fire and took a matte scar down one shoulder, about 4 cm. Structurally fine. Honestly one of our favourite pieces from batch 19.

$48$951 available

Wholesale

Five shops. We'd like
to keep it small.

We stock five retailers and three restaurants, and we're honest that a batch of forty doesn't stretch far. If the terms below work for you, send the form and Owen will reply within two working days.

Minimum order
12 pieces, mixed freely across collections. No minimum on repeat orders.
Trade price
50% of retail, ex-works Hudson. Restaurants throwing to spec are quoted separately.
Lead time
Four to six weeks — we slot wholesale into the batch calendar rather than jumping the queue.
Throwing to spec
Yes, from 24 pieces. Send a drawing or a plate you like and Nadia will throw a sample first.
Payment
50% on order, balance on collection. Net 30 after your second order.
Breakage
Replaced free if it arrives broken. Photograph the box before you unpack it.
Exclusivity
None, but we won't add a second stockist within 40 miles of an existing one.

Wholesale enquiry

Tell us about the shop or kitchen. This form is a demo — it doesn't submit anywhere yet.

Please tell us who you are.
Please name the business.
That email doesn't look right — check it and try again.
Pick the closest option.
A sentence is plenty — we just need a starting point.

Owen answers wholesale mail on Tuesdays and Fridays. We do not sell through marketplaces, and we don't pass your details to anyone.

Come to the studio

The door is open three days a week.

There's no showroom and no appointment system. Walk in, look at the kiln, buy a second off the shelf if there's one you like.

Open hours

Thursday, Friday and Saturday. The wheel is usually running Thursday mornings if you want to watch something get thrown.

Thu–Sat · 11:00 – 17:00

Throwing workshops

Four people, three hours, one evening a month. You throw three pieces, we fire the best one and post it to you six weeks later.

Monthly · $145 per seat

Where to find us

214 Warren Street, Hudson NY 12534. Ten minutes' walk from the Amtrak station, blue door, no sign — look for the kiln vent.

studio@vessel-hudson.com